![]() ![]() When searching through hundreds of products sometimes that one sound your looking for remains consistently allusive hidden in a jumble of poorly labelled folders and hard to access back ups.īelow we will outline three ways each of us here at 8Dio use to load our vast catalogue of products. ![]() With a growing catalogue of instruments and an almost unlimited amount of possibilities loading your libraries into Kontakt can either become a chore, or a pleasure. The modulation wheel usually sends MIDI CC #1 data, volume and expression pedals CC #7 and #11, respectively.How To Load Libraries Into Kontakt - "8Dio How To Series" Showcases how to load libraries into Native Instruments Kontakt. MIDI CC Number (only visible if source is MIDI CC): The modulation will acquire its values from incoming MIDI controller data with the number specified here. Once you’re finished with your adjustments down there, the identical button on the panel will bring you back to where you came from. ![]() ![]() Quick-Jump button (only visible on internal source assignments, like LFOs): Clicking on this button will immediately scroll down to the respective source’s control panel at the bottom of the Rack. Modulation Source: If the entry belongs to an internal source assignment, this value can’t be modified, but external source assignments will offer a drop-down menu here that allows you to switch to a different source. Others include sources that don’t fit into one of the other categories, such as step sequencers or envelope followers. In addition to the traditional set of waveforms found on synthesizers - namely Sine, Triangle, Rectangle, Sawtooth, and Random - Kontakt also provides a complex LFO, which generates a mixture of these waveforms.Įxternal Sources provide access to control signals that are generated outside of Kontakt’s modulation source modules, such as incoming MIDI data, or constant and random values. LFOs (Low Frequency Oscillators) are sources that generate a periodic waveform within a frequency range of 0.01 Hz up to about 210 Hz. Envelopes generally react to MIDI note messages. Of course, the example can be just as easily replicated in Kontakt: the Source Module will become your tone generator, its Tune parameter your pitch knob, an LFO your source of a low-frequency control signal, and an entry in the Modulation Router the wire that connects both generators.Įnvelopes are finely adjustable curves of varying shapes, which have a beginning and an end these are usually being used for creating parameter changes, often non-repetitive, that can’t be easily obtained from a traditional periodic waveform, such as a filter that opens and then gradually closes again after a key has been pressed. This is a very simple example of modulation: you’re using a generated control signal (which can be periodic, but doesn’t have to) to change some parameter over time. Now, the tone generator’s pitch will begin to periodically sweep up and down “around” the pitch you’ve adjusted with the knob, in other words: vibrato. Instead, you can use another generator that outputs a periodic waveform as well - though at a much lower frequency than your tone generator, let’s say 5 Hz - and connect it to the pitch control of your tone generator. Of course, rapidly moving the pitch knob left and right is an option, but this is awkward and inconvenient. As players of acoustic instruments often use vibrato - a subtle “trembling” of the pitch - as a means to make their sound more expressive and dynamic, you’d like to simulate this effect with your generator. Suppose you have a very simple tone generator with only one control, which changes the pitch of the generated tone. If you already have worked with modulation, just skip the next paragraph. If you’re new to synthesizers and samplers, you might be unfamiliar with the concept of modulation, so we’ll explain it briefly. For this purpose, most of Kontakt’s modules provide a table, called the Modulation Router, which allows you to assign various sources of modulation signals to that respective module’s parameters. Kontakt’s internal modulation system offers a powerful way to “animate” parameters, making them change over time in a variety of different and finely adjustable ways. Signal Processors in the Outputs Sectionįrom a basic explanation of modulation to using Kontakt's Modulation Router to connect sources with parameters, learn how to make your sound more dynamic with modulation.Assigning MIDI Controllers in the Side Pane.Loading and Saving Instruments and Multis.Loading a Snapshot from the File System. ![]()
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